Onsider the relationship between minimalism and Pop Art.

This is a main discussion about the main relationship between minimalism art and pop art. This should based on aesthetic, subject matter and social responses. This must focus on the similarities and what creates the main connection between these two art movements. There must be a clear and concise argument where they may have been factors that may have conflicted these two art movements but to emphasise on the key factor that makes the real relationship between minimalism and pop art. I want to use works by pop artists andy warhole and robert rauschenberg and minimalism artists frank stella and donald judd. This must be based round american art and culture and the whole anti-atract expressionism. I have some good extracts that can demonstrate my needs so if you wish to see those or wish to confir later I will be happy to send. The introduction should not be a whole history on minimalism and pop art, it should be an introduction about abstract expressionism and it evolved from that to minimalism and pop art movement, and what made society believe these two art movements to be so similar, influential and and long lasting and stating how this is will be explained and demonstrated.
At least 1 example of all four artists work should be demonstrated to show the antithetical connections, similarities, and relationship. Aesthetically, it would be based on lines, iconography and other factors you would feel be beneficial for this essay. There needs to be a balance in the essay round aesthetics, social aspect, the movements and examples themselves and what you feel would bring this all together. so I may want to add some other ideas if I feel the main point has not been made yet.

Referencing Requirements:
although it is stated harvard in the selection, the referencing must be in the style of foot-notes, numbering each reference and then stating the book author and page numbers that were used for that reference in the foot note at the end of the page. I know this is similarly Chicago, but it important that footnotes are used in this essay. 50 references are required but many references can come from the same book or source, but 50 footnotes minimum are required. I have a book list here that may be of help:
*Batchelor, David. Minimalism (London: Tate Publishing, 1997)
*Battcock, Gregory (ed.). Minimal Art, A Critical Anthology (New York: Dutton & Co., 1968; Berkeley/LA/London: University of California Press, 1995)
*Baker, Kenneth. Minimalism: Art of Circumstance (New York: Abbeville, 1988)
*Berger, Maurice. Minimal Politics: Performativity and Minimalism in Recent American Art (University of Maryland, Fine Arts Gallery, 1997)
*Colpitt, Frances. Minimal Art, A Critical Perspective (Seattle: University of Washington Press, 1993)
*Meyer, James (ed.). Minimalism (London: Phaidon, 2000)
*Meyer, James. Minimalism: Art and Polemics in the Sixties (New Haven/London: Yale University Press, 2001)
*Hapgood, Susan. Neo-Dada: Redefining Art 1958-1962 (New York, 1994)
*Harrison, Sylvia. Pop Art and the Origins of Post-Modernism (Cambridge: Cambridge University Press, 2001)
*Lippard, Lucy R. Pop Art (New York: Praeger, 1966)
Livingstone, Marco. Pop Art: A Continuing History (New York, 1990)
*Lobel, Michael. Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art (New Haven: Yale University Press, 2002)
*Madoff, Steven Henry (ed.). Pop Art: A Critical History (Berkeley/LA/London: California University Press, 1997)
*McCarthy, David. Pop Art (London: Tate Publishing, 2000)
*Phillips, Lisa. Beat Culture and the New America, 1950-1965 (New York, 1995)
*Seitz, William C. The Art of Assemblage (New York: MoMA exh.cat., 1961
*Stich, Sidra. Made in U.S.A: An Americanization of Modern Art, the a?50s and a?60s (Berkeley/LA/London: University of California Press, 1987)
*Varnedoe, Kirk & Gopnik, Adam (eds.) Modern Art and Popular Culture: Readings in High and Low (New York: MoMA/Harry N.Abrams, 1990)
*Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent, 1955-69 (London: Weidenfeld & Nicholson, 1996)
*Elderfield, John (ed.). American Art of the 1960s (New York: MoMA exh.cat, 1991/Thames & Hudson, 1992)
*Frascina, Francis. Art, Politics and Dissent: Aspects of the Art Left in Sixties America (Manchester/New York, 1999)
*Goodyear Jnr., Frank H. Contemporary American Realism since 1960 (Boston: New York Graphic Society/Pennsylvania Academy of Fine Arts, 1981)
*Jones, Caroline A. Machine in the Studio: Constructing the Post-War American Artist (Chicago: University of Chicago Press)
*Rothkopf, Scott. The Other Sixties: The Return of Surrealism in American Art Criticism (New Haven/London: Yale University Press, 2010)
*Sandler, Irving. American Art of the 1960s (New York: HarperCollins, 1990)
*Anfam, David. Abstract Expressionism (London: Thames & Hudson, 1990)
*Ashton, Dore. The New York School, A Cultural Reckoning (Berkeley: University of California Press, 1972)
*Balken, Debra Bricker. Abstract Expressionism (London: Tate Publishing, 2005)
*Craven, David. Abstract Expressionism and the Cultural Logic of Romantic Anti-Capitalism: Dissent during the McCarthy Period (Cambridge: Cambridge University Press, 1999)
*Frascina, Francis (ed.). Pollock and After: A Critical Debate (New York: Harper & Row, 1985/London: Routledge, 2000)
*Geldzahler, Henry (ed.). New York Painting and Sculpture 1940-1970 (London: Pall Mall Press, 1969)
*Gibson, Ann Eden. Abstract Expressionism, Race and Gender (New Haven/London: Yale University Press, 1994)
*Gibson, Ann Eden. Abstract Expressionism: Other Politics (New Haven/London: Yale University Press, 1997)
*Golding, John. Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko and Still (Princeton, NJ: Princeton University Press, 2000)
*Guilbault, Serge (trans. Arthur Goldhammer). How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War (Chicago: University of Chicago Press, 1983)
*Hobbs, Robert Carleton & Levin, Gail. Abstract Expressionism: The Formative Years (NY: Cornell University Press, 1981)
*Jachec, Nancy. The Philosophy and Politics of Abstract Expressionism 1940-1960 (Cambridge: Cambridge University Press, 2000)
*Landau, Ellen G. (ed.) Reading Abstract Expressionism: Context and Critique (New Haven/London: Yale University Press, 2005)
*Leja, Michael. Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s (New Haven: Yale University Press, 1993)
*Marter, Joan (ed.) Abstract Expressionism: The International Context (New Brunswick, NJ: Rutgers University Press, 2007)
*Polcari, Stephen. Abstract Expressionism and the Modern Experience (Cambridge: Cambridge University Press, 1991)
*Ratcliff, Carter. The Fate of a Gesture: Jackson Pollock and Postwar American Art (New York: Farrar, Straus & Giroux, 1996)